"Lobet Gott in seinen Reichen, BWV 11, Pt. 1: III. Recitative "Ach, Jesu, ist dein Abschied schon so nah?"" by Johann Sebastian Bach, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Tobias Wicky was released on April 12, 2024. With Lobet Gott in seinen Reichen, BWV 11, Pt. 1: III. Recitative "Ach, Jesu, ist dein Abschied schon so nah?" being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 22 in Bach & Telemann: Himmelfahrt by Freiburger Barockorchester, Vox Luminis, Lionel Meunier. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Lobet Gott in seinen Reichen, BWV 11, Pt. 1: III. Recitative "Ach, Jesu, ist dein Abschied schon so nah?"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lobet Gott in seinen Reichen, BWV 11, Pt. 1: III. Recitative "Ach, Jesu, ist dein Abschied schon so nah?" by Johann Sebastian Bach, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Tobias Wicky is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, For The 19th Sunday After Trinity, Am 19. Sonntag Nach Trinitatis: Recitativo (Alto), O Schmerz, O Elend | Pieter Jan Leusink, Louis Van Emmerik, Marjon Strijk, Bas Ramselaar, Susan Williams, Holland Boys Choir, Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Johann Sebastian Bach, Sytse Buwalda, Marcel Beekman | B Minor | 1 | 10A | 126 BPM | ||
I. Nun Danket Alle Gott BWV 192, (2) Aria (Duetto: Soprano, Basso): Der Ewig Reiche Gott | Pieter Jan Leusink, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Kate Clark, Marjon Strijk | D♭ Major | 3 | 3B | 53 BPM | ||
Ich weiss, dass mein Erloser leb, TWV 1:873: Dictum | Georg Philipp Telemann, Stefanie Wüst, Angela Froemer, Georg Poplutz, Jens Hamann, Siegen Collegium Vocale, Hannoversche Hofkapelle, Ulrich Stötzel | B Major | 1 | 1B | 115 BPM | ||
Prelude in E Minor, BWV 932 (completed by P. Watchorn) | Peter Watchorn, Johann Sebastian Bach | E♭ Minor | 5 | 2A | 153 BPM | ||
Hope | Alexander Därr | E Major | 6 | 12B | 98 BPM | ||
Der Herr verstößet nicht ewiglich, TWV 1:288: VIII. Was Gott tut, das ist wohlgetan | Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
II. Himmelskönig, Sei Willkommen BWV 182, Choral (Coro): Jesu, Deine Passion | Pieter Jan Leusink, Sytse Buwalda, Knut Schoch, Anneke Boeke, Holland Boys Choir; Netherlands Bach Collegium, Ruth Holton, John Wilson Meyer, Bas Ramselaar, Johann Sebastian Bach | D Major | 1 | 10B | 83 BPM | ||
II. Denn Gott verlässet keinen (Recitative) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Tobias Berndt | F Minor | 2 | 4A | 34 BPM | ||
Languet anima mea BWV deest 1006: III. Recitativo: Amoris tui iaculo | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Bleib bei uns, denn es will Abend werden, BWV 6: Aria. Hochgelobter Gottessohn (Alto) | Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | F♯ Minor | 0 | 11A | 102 BPM |
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