Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki made "Bleib bei uns, denn es will Abend werden, BWV 6: Aria. Hochgelobter Gottessohn (Alto)" available on July 1, 2007. The duration of Bleib bei uns, denn es will Abend werden, BWV 6: Aria. Hochgelobter Gottessohn (Alto) is about 3 minutes long, at 3:02. Based on our data, "Bleib bei uns, denn es will Abend werden, BWV 6: Aria. Hochgelobter Gottessohn (Alto)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 21 out of 25 in Bach, J.S.: Cantatas, Vol. 36 - Bwv 6, 42, 103, 108 by Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Bleib bei uns, denn es will Abend werden, BWV 6: Aria. Hochgelobter Gottessohn (Alto) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Bleib bei uns, denn es will Abend werden, BWV 6: Aria. Hochgelobter Gottessohn (Alto) by Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | ||
Concerto No. 1 In F Major BWV1046 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Herzlich Thut Mich Verlangen, Weihnachtsoratorium Bwv 248 | Nicol Matt, Martina Rotbauer, Ute Petersilge, Nordic Chamber Choir, Heike Hümmer, Jörg Halobek, Soloist Of The Freiburger Barockorchester, Jens Wollenschläger, Johann Sebastian Bach, Robert Sagasser | A♭ Minor | 2 | 1A | 89 BPM | ||
Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): II. Allegro | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 3 | 10B | 94 BPM | ||
IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | ||
III. Ich Geh Und Suche Mit Verlangen BWV 49, (5) Recitativo (Soprano, Basso): Mein Glaube Hat Mich Selbst | Pieter Jan Leusink, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Peter Frankenberg, Holland Boys Choir; Netherlands Bach Collegium | A♭ Major | 0 | 4B | 84 BPM | ||
I. Nun Danket Alle Gott BWV 192, (2) Aria (Duetto: Soprano, Basso): Der Ewig Reiche Gott | Pieter Jan Leusink, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Kate Clark, Marjon Strijk | D♭ Major | 3 | 3B | 53 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | B Major | 4 | 1B | 87 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Matthäus Passion, Prima Parte: 27b. Chorus: Sind Blitze, Sind Donner In Wolken Verschwunden | Stephen Cleobury, Michael Chance, David Thomas, Emma Kirkby, Johann Sebastian Bach, Rogers Covey-Crump, Martyn Hill, Choir of King's College, Cambridge, Michael George | B♭ Minor | 5 | 3A | 93 BPM |
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