"La vestale, Act II: Air et Récit. Les dieux prendront pitié du sort qui nous accable" by Gaspare Spontini, Marina Rebeka, Stanislas de Barbeyrac, Les Talens Lyriques, Christophe Rousset was released on May 12, 2023. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 49 in the song's album "Spontini: La vestale". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Italy. La vestale, Act II: Air et Récit. Les dieux prendront pitié du sort qui nous accable is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La vestale, Act II: Air et Récit. Les dieux prendront pitié du sort qui nous accable by Gaspare Spontini, Marina Rebeka, Stanislas de Barbeyrac, Les Talens Lyriques, Christophe Rousset having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Olimpiade, Act I Scene 3: Aria. "O care selve" | Domenico Cimarosa, Marie Lys, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
E l'uccellino, SC 71 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (a) "Rien! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Ouverture de l'opera "La vestale": I. Andante sostenuto | Mauro Giuliani, Gaspare Spontini, Claudio Maccari, Paolo Pugliese | A Major | 3 | 11B | 130 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Les nuits d'été, H 81: No. 2, Le spectre de la rose | Hector Berlioz, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Olimpie, Acte I: Duo "Ô doux accents, bonheur suprême" | Gaspare Spontini, Le Cercle De L'Harmonie, Jérémie Rhorer, Karina Gauvin, Mathias Vidal | B♭ Major | 1 | 6B | 84 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Sylvia McNair, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM |
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