Einer Wird Kommen (from "Der Zarewitsch")
Elisabeth Schwarzkopf, Orchestra Philharmonia, Otto Ackermann
Elisabeth Schwarzkopf sings Operetta
3:32 June 14, 2011
BPM
92
Key
E Major
Camelot
12B

Embed

Share Link

Einer Wird Kommen (from "Der Zarewitsch") - Elisabeth Schwarzkopf, Orchestra Philharmonia, Otto Ackermann Information

Acousticness
92%
Danceability
22%
Energy
36%
Instrumentalness
0%
Liveness
8%
Loudness
85%
Speechiness
4%
Valence
8%
Popularity
Loudness
-8.918 dB

Summary

"Einer Wird Kommen (from "Der Zarewitsch")" by Elisabeth Schwarzkopf, Orchestra Philharmonia, Otto Ackermann was released on June 14, 2011. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 21 in Elisabeth Schwarzkopf sings Operetta by Elisabeth Schwarzkopf, Orchestra Philharmonia, Otto Ackermann. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Einer Wird Kommen (from "Der Zarewitsch") is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Einer Wird Kommen (from "Der Zarewitsch") BPM

The tempo marking of Einer Wird Kommen (from "Der Zarewitsch") by Elisabeth Schwarzkopf, Orchestra Philharmonia, Otto Ackermann is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Einer Wird Kommen (from "Der Zarewitsch") Key

E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Eugene Onegin, Op. 24, TH 5 / Act II: Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis"Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon BychkovE Minor19A84 BPM
Verdi: Messa da Requiem: I. Introit - Kyrie by Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, MilanoVerdi: Messa da Requiem: I. Introit - KyrieGiuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, MilanoC Major28B114 BPM
La traviata / Act 1: La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi)Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera ChorusB♭ Major16B111 BPM
La traviata / Act I: La traviata / Act I: "Dell'invito trascorsa è già l'ora"Giuseppe Verdi, Ileana Cotrubas, Stefania Malagu, Walter Gullino, Plácido Domingo, Bruno Grella, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper MünchenA Major211B85 BPM
Mahler: Des Knaben Wunderhorn: No. 7, Rheinlegendchen by Gustav Mahler, Elisabeth Schwarzkopf, George Szell, London Symphony OrchestraMahler: Des Knaben Wunderhorn: No. 7, RheinlegendchenGustav Mahler, Elisabeth Schwarzkopf, George Szell, London Symphony OrchestraE Major012B129 BPM
Roméo et Juliette, CG 9 / Act 1: Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève"Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius MeisterC Major38B77 BPM
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version by Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di MilanDonde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered VersionGiacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di MilanD♭ Major13B93 BPM
Gloria, FP 144: 3. Domine Deus by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverGloria, FP 144: 3. Domine DeusFrancis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverG Major19B130 BPM
Caro nome by Giuseppe Verdi, Montserrat Caballé, Gianfranco Masini, Orquesta Sinfónica de BarcelonaCaro nomeGiuseppe Verdi, Montserrat Caballé, Gianfranco Masini, Orquesta Sinfónica de BarcelonaD Major510B120 BPM
"Io son l'umile ancella"Francesco Cilea, Montserrat Caballé, Gianfranco MasiniA♭ Major14B107 BPM
ISRC
USX761112204
Label
L-M Records/RCA Records

Section: 1.1101059913635254

End: 1.114305019378662