"Bliss, Act III, Scene 2, "Dissolution": "Betty, your work is beautiful"" by Brett Dean, Amanda Holden, Peter Coleman-Wright, Merlyn Quaife, Lorina Gore, Kanen Breen, David Corcoran, Taryn Fiebig, Opera Australia Orchestra, Elgar Howarth was released on June 12, 2015. Bliss, Act III, Scene 2, "Dissolution": "Betty, your work is beautiful" is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The song is number 36 out of 44 in Bliss by Amanda Holden, Brett Dean, Opera Australia. In terms of popularity, Bliss, Act III, Scene 2, "Dissolution": "Betty, your work is beautiful" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bliss, Act III, Scene 2, "Dissolution": "Betty, your work is beautiful" by Brett Dean, Amanda Holden, Peter Coleman-Wright, Merlyn Quaife, Lorina Gore, Kanen Breen, David Corcoran, Taryn Fiebig, Opera Australia Orchestra, Elgar Howarth is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kammermusik No. 5, Op. 36 No. 4: III. Mäßig schnell | Paul Hindemith, Brett Dean, Queensland Symphony Orchestra, Werner Andreas Albert | F Major | 0 | 7B | 83 BPM | ||
Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
Bliss, Act I, Scene 2, "Limbo": Harry's Vision, "Listen. When it happened I had a vision" | Brett Dean, Amanda Holden, Peter Coleman-Wright, Merlyn Quaife, Opera Australia Orchestra, Elgar Howarth | G Minor | 1 | 6A | 81 BPM | ||
Synthesis | Selena Ivanova | D Major | 0 | 10B | 98 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Point of Tranquility: III. Maestoso | Kenneth Fuchs, Sinfonia Of London, John Wilson | B♭ Major | 5 | 6B | 129 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Vivace, capriccioso | György Ligeti, The Verona Quartet | D Major | 5 | 10B | 111 BPM | ||
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM | ||
Serenade, H. 23 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM |
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