Bliss, Act I, Scene 2, "Limbo": Harry's Vision, "Listen. When it happened I had a vision" - Brett Dean, Amanda Holden, Peter Coleman-Wright, Merlyn Quaife, Opera Australia Orchestra, Elgar Howarth Information

Acousticness: 92%
Danceability: 15%
Energy: 10%
Instrumentalness: 6%
Liveness: 36%
Loudness: 56%
Speechiness: 5%
Valence: 4%
Popularity: 1%
Loudness: -26.182 dB

Summary

"Bliss, Act I, Scene 2, "Limbo": Harry's Vision, "Listen. When it happened I had a vision"" by Brett Dean, Amanda Holden, Peter Coleman-Wright, Merlyn Quaife, Opera Australia Orchestra, Elgar Howarth was released on June 12, 2015. With this song being about 5 minutes long, at 5:06, "Bliss, Act I, Scene 2, "Limbo": Harry's Vision, "Listen. When it happened I had a vision"" by Brett Dean, Amanda Holden, Peter Coleman-Wright, Merlyn Quaife, Opera Australia Orchestra, Elgar Howarth is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 44 in Bliss by Amanda Holden, Brett Dean, Opera Australia. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Bliss, Act I, Scene 2, "Limbo": Harry's Vision, "Listen. When it happened I had a vision" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bliss, Act I, Scene 2, "Limbo": Harry's Vision, "Listen. When it happened I had a vision" BPM

The tempo marking of Bliss, Act I, Scene 2, "Limbo": Harry's Vision, "Listen. When it happened I had a vision" by Brett Dean, Amanda Holden, Peter Coleman-Wright, Merlyn Quaife, Opera Australia Orchestra, Elgar Howarth is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Bliss, Act I, Scene 2, "Limbo": Harry's Vision, "Listen. When it happened I had a vision" Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

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ISRC: AUU831200007
Label: L-M Records/RCA Records

Section: 0.8241753578186035

End: 0.8301589488983154