"String Quartet No. 5: I." by Philip Glass, Kronos Quartet was released on February 3, 1995. With String Quartet No. 5: I. being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Odio París, Garbage, Philip Glass, Kronos Quartet's "Kronos Quartet Performs Philip Glass" album is number 1 out of 18. On top of that, United States appears to be the country where this track was created. String Quartet No. 5: I. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 5: I. by Philip Glass, Kronos Quartet to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
String Quartet in G Minor, Op. 10: I. Animé et très décidé | Claude Debussy, Quatuor Ébène | F♯ Minor | 0 | 11A | 84 BPM | ||
Englabörn - Remastered | Jóhann Jóhannsson | G Minor | 2 | 6A | 84 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | A♭ Major | 0 | 4B | 72 BPM | ||
Folkdance | Meredith Monk, Bruce Brubaker, Ursula Oppens | D Minor | 4 | 7A | 116 BPM | ||
Black Angels: I. Departure | George Crumb, Kronos Quartet | B♭ Minor | 2 | 3A | 120 BPM | ||
Cello Sonata: I. Dialogo | György Ligeti, Miklós Perényi | F Major | 0 | 7B | 94 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Vladimir Martynov: Schubert-Quintet (Unfinished): Movement I | Vladimir Martynov, Kronos Quartet | A Minor | 1 | 8A | 82 BPM | ||
Coppice | Balanescu Quartet | A Minor | 4 | 8A | 180 BPM |
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