"Piano Quartet in E-Flat Major, Op. 47: I. Sostenuto assai - Allegro ma non troppo" by Robert Schumann, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma was released on 1994. Since Piano Quartet in E-Flat Major, Op. 47: I. Sostenuto assai - Allegro ma non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 7 in Beethoven, Schumann: Piano Quartets (Remastered) by Yo-Yo Ma. In terms of popularity, Piano Quartet in E-Flat Major, Op. 47: I. Sostenuto assai - Allegro ma non troppo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Quartet in E-Flat Major, Op. 47: I. Sostenuto assai - Allegro ma non troppo by Robert Schumann, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Préludes, Op. 23: No. 4. Andante cantabile in D Major | Sergei Rachmaninoff, Nikolai Lugansky | A Major | 1 | 11B | 172 BPM | ||
Wagner - Tannhäuser: Pilgrim's Chorus, S443/R276 | Franz Liszt, William Wolfram | B♭ Major | 2 | 6B | 67 BPM | ||
Cello Suite No. 2 in D Minor, BWV 1008: III. Courante | Johann Sebastian Bach, Yo-Yo Ma | F Major | 2 | 7B | 115 BPM | ||
Scenen aus Goethes Faust, WoO3 (arr. for orchestra): Faust | Anonymous, Robert Schumann, Polish National Radio Symphony Orchestra, Johannes Wildner | D Minor | 1 | 7A | 80 BPM | ||
Godowsky / Arr Heifetz: Alt Wien | Leopold Godowsky, Itzhak Perlman | G Major | 2 | 9B | 100 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Keyboard Sonata No. 60 in C Major, Hob.XVI:50: II. Adagio | Franz Joseph Haydn, Jenő Jandó | F Major | 0 | 7B | 64 BPM | ||
2 Legendes, S175/R17: No. 1. St. Francois d' Assise - La predication aux oiseaux | Franz Liszt, Jenő Jandó | A Major | 1 | 11B | 172 BPM | ||
Fantasia in C Major, Hob. XVII: 4 | Joseph Haydn, Jean-Efflam Bavouzet | C Major | 2 | 8B | 134 BPM | ||
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM |
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