On 1983, the song "Cello Suite No. 2 in D Minor, BWV 1008: III. Courante" was released by Johann Sebastian Bach, Yo-Yo Ma. With Cello Suite No. 2 in D Minor, BWV 1008: III. Courante being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 36 in Bach: Unaccompanied Cello Suites (Remastered) by Johann Sebastian Bach, Yo-Yo Ma. In terms of popularity, Cello Suite No. 2 in D Minor, BWV 1008: III. Courante is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Cello Suite No. 2 in D Minor, BWV 1008: III. Courante by Johann Sebastian Bach, Yo-Yo Ma is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka No.36 In A Minor Op.59 No.1 | Frédéric Chopin, Vladimir Ashkenazy | A Major | 0 | 11B | 63 BPM | ||
Piano Trio No. 2 in C Minor Op. 66: II. Andante espressivo | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | E♭ Major | 1 | 5B | 74 BPM | ||
Vivaldi: Cello Sonata No. 4 in B-Flat Major, Op. 14, RV 45: I. Largo | Antonio Vivaldi, Paul Tortelier | B Major | 2 | 1B | 72 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
Variation III | Johann Sebastian Bach, Dmitry Sitkovetsky, Kammerensemble de Paris, Jean-Claude Bouveresse, Sabine Toutain, Aurélien Sabouret | G Major | 4 | 9B | 98 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker, Yo-Yo Ma | B Minor | 1 | 10A | 78 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Études-tableaux, Op. 39: No. 2, Lento assai | Sergei Rachmaninoff, Boris Giltburg | A Minor | 0 | 8A | 65 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: II. Adagio | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Anne-Katharina Schreiber, Gottfried Von Der Goltz | B♭ Minor | 1 | 3A | 69 BPM |
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