"Donizetti: Lucia di Lammermoor: Prelude" by Gaetano Donizetti, Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Orchestra del Maggio Musicale Fiorentino, Tulio Serafin was released on 1953. The duration of Donizetti: Lucia di Lammermoor: Prelude is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Donizetti: Lucia di Lammermoor: Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 35 in Donizetti: Lucia di Lammermoor (1953 - Serafin) - Callas Remastered by Gaetano Donizetti, Maria Callas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Donizetti: Lucia di Lammermoor: Prelude is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Donizetti: Lucia di Lammermoor: Prelude by Gaetano Donizetti, Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Orchestra del Maggio Musicale Fiorentino, Tulio Serafin is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod : Faust : Act 1 "Mais ce Dieu" [Faust] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 2 | 8B | 108 BPM | ||
Cinderella, Op. 87: Act I: No. 1. Introduction: Andante dolce | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Large Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM | ||
Armies of the Gods | Paul Edward-Francis | D Major | 0 | 10B | 91 BPM | ||
Cherubini: Medea, Act 2: "Medea, o Medea!" (Neris) | Luigi Cherubini, Miriam Pirazzini, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Minor | 1 | 5A | 85 BPM | ||
Madama Butterfly - Act II | Chorus and Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | B♭ Major | 0 | 6B | 73 BPM | ||
Polovtsian Dances from Prince Igor: IV. Allegro | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 177 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Meco all'altar di Venere (Pollione) | Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 3 | 9B | 98 BPM | ||
Verdi: Aida: Prelude | Giuseppe Verdi, Orchestra del Teatro alla Scala Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 107 BPM | ||
Elektra, Op. 58, TrV 223: "Allein! Weh, ganz allein." | Richard Strauss, Inge Borkh, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM |
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