Polovtsian Dances from Prince Igor: IV. Allegro - Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim Information

Acousticness
88%
Danceability
19%
Energy
10%
Instrumentalness
81%
Liveness
26%
Loudness
66%
Speechiness
4%
Valence
19%
Popularity
Loudness
-20.572 dB

Summary

"Polovtsian Dances from Prince Igor: IV. Allegro" by Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim was released on 1977. The duration of Polovtsian Dances from Prince Igor: IV. Allegro is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Polovtsian Dances from Prince Igor: IV. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 15 in Borodin: Polovtsian Dances; Rimsky-Korsakov: Russian Easter Festival, Ouverture; Mussorgsky: A Night on the Bare Mountain; Rimsky-Korsakov: Capriccio Espagnol by Chicago Symphony Orchestra, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Polovtsian Dances from Prince Igor: IV. Allegro is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Polovtsian Dances from Prince Igor: IV. Allegro BPM

The tempo marking of Polovtsian Dances from Prince Igor: IV. Allegro by Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Polovtsian Dances from Prince Igor: IV. Allegro Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered by Alexander Scriabin, Vladimir HorowitzEtude in D-Sharp Minor, Op. 8, No. 12: Patetico - RemasteredAlexander Scriabin, Vladimir HorowitzD♭ Minor312A72 BPM
Pavane for Dead Princess by Maurice Ravel, David Robertson, Orchestra National de Lyon, Irina MejouevaPavane for Dead PrincessMaurice Ravel, David Robertson, Orchestra National de Lyon, Irina MejouevaG Major19B77 BPM
Prince Igor (Knyaz Igor): Overture by Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore KucharPrince Igor (Knyaz Igor): OvertureAlexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore KucharG Minor26A71 BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] by Franz Liszt, Oxana YablonskayaSchwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]Franz Liszt, Oxana YablonskayaD Major010B66 BPM
Jazz Suite No. 2: IV. Waltz 1 by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyJazz Suite No. 2: IV. Waltz 1Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyB♭ Major26B109 BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante by Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigMendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. AndanteFelix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigC Major18B96 BPM
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 by Carl Philipp Emanuel Bach, Ana-Marija MarkovinaSolfeggio No. 1 in C Minor, Wq. 117/2, H. 220Carl Philipp Emanuel Bach, Ana-Marija MarkovinaF Minor24A76 BPM
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbatHector Berlioz, London Symphony Orchestra, Sir Colin DavisC Minor15A60 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D MinorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzA Minor08A76 BPM
Capriol Suite: 1. Basse-danse by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 1. Basse-dansePeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerD Minor27A133 BPM
ISRC
DEF057702034
Label
L-M Records/RCA Records

Section: 0.6579635143280029

End: 0.6614854335784912