Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana's 'Tu che fai l´addormentata (Faust)' came out on July 30, 2006. The duration of Tu che fai l´addormentata (Faust) is about 3 minutes long, at 3:20. Based on our data, "Tu che fai l´addormentata (Faust)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Cesare Siepi's "Lebendige Vergangenheit - Cesare Siepi" album is number 9 out of 19. Based on our statistics, Tu che fai l´addormentata (Faust)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tu che fai l´addormentata (Faust) by Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Gounod: Roméo et Juliette, CG 9, Act 5 Scene 2: "Console-toi, pauvre âme" (Roméo, Juliette) | Charles Gounod, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse | A♭ Major | 1 | 4B | 79 BPM | ||
Romeo and Juliette, Act I: Ballad of Queen Mab: mab, la reine des mensonges | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Don Quichotte à Dulcinée. M. 84 (Version for Voice & Piano): No. 3, Chanson à boire [Live] | Maurice Ravel, Cesare Siepi, Leo Taubman | A Major | 1 | 11B | 80 BPM | ||
Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
Il barbiere di Siviglia, Act I Scene 16: Questa bestia di soldato | Gioachino Rossini, Alberto Erede, Orchestra del Maggio Musicale Fiorentino, Fernando Corena, Ettore Bastianini, Rina Cavallari, Cesare Siepi, Alvino Misciano, Giulietta Simionato, Giuseppe Zampieri | G Major | 5 | 9B | 121 BPM | ||
Il Barbiere di Siviglia (Cessa di più resistere) | Rockwell Blake, London Symphony Orchestra, Ambrosian Choir, John McCarthy | B♭ Major | 2 | 6B | 64 BPM | ||
L'elisir d'amore (The Elixir of Love): Act I Scene 1: Cavatina - Benedette queste carte ... Della crudele Isotta | Gaetano Donizetti, Vincenzo La Scola, Alessandra Ruffini, Simone Alaimo, Roberto Frontali, Mariangela Spotorno, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | B♭ Major | 3 | 6B | 73 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Giacomo Puccini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 76 BPM |
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