"Don Quichotte à Dulcinée. M. 84 (Version for Voice & Piano): No. 3, Chanson à boire [Live]" by Maurice Ravel, Cesare Siepi, Leo Taubman was released on 2006. The duration of Don Quichotte à Dulcinée. M. 84 (Version for Voice & Piano): No. 3, Chanson à boire [Live] is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Don Quichotte à Dulcinée. M. 84 (Version for Voice & Piano): No. 3, Chanson à boire [Live]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The 1956 Salzburg Recital (Live)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Don Quichotte à Dulcinée. M. 84 (Version for Voice & Piano): No. 3, Chanson à boire [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Don Quichotte à Dulcinée. M. 84 (Version for Voice & Piano): No. 3, Chanson à boire [Live] by Maurice Ravel, Cesare Siepi, Leo Taubman having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
À La Manière De Chabrier | Maurice Ravel, André Laplante | C Major | 0 | 8B | 70 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | G Major | 0 | 9B | 66 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM | ||
Ma mère l'oye, M. 60: 5. Le jardin féerique. Lent et grave | Valeria Szervánszky, Ronald Cavaye | C Major | 0 | 8B | 116 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM |
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