- BPM
- 76
- Key
- D♭ Major
- Camelot
- 3B
Die Walküre, WWV 86B / Act 1: "Du bist der Lenz" - Richard Wagner, Alessandra Marc, Poul Elming, Cleveland Orchestra, Christoph von Dohnányi Information
- Acousticness
- 98%
- Danceability
- 16%
- Energy
- 11%
- Instrumentalness
- 0%
- Liveness
- 76%
- Loudness
- 65%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 22%
- Loudness
- -20.985 dB
Summary
"Die Walküre, WWV 86B / Act 1: "Du bist der Lenz"" by Richard Wagner, Alessandra Marc, Poul Elming, Cleveland Orchestra, Christoph von Dohnányi was released on July 1, 1997. Since Die Walküre, WWV 86B / Act 1: "Du bist der Lenz" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Die Walküre by Richard Wagner, Christoph von Dohnányi, Gabriele Schnaut, Robert Hale, Poul Elming, Alessandra Marc, Alfred Muff, Anja Silja, Cleveland Orchestra. The song's track number on the album is #11 out of 43 tracks. Die Walküre, WWV 86B / Act 1: "Du bist der Lenz" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Walküre, WWV 86B / Act 1: "Du bist der Lenz" BPM
Since Die Walküre, WWV 86B / Act 1: "Du bist der Lenz" by Richard Wagner, Alessandra Marc, Poul Elming, Cleveland Orchestra, Christoph von Dohnányi has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Die Walküre, WWV 86B / Act 1: "Du bist der Lenz" being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
Die Walküre, WWV 86B / Act 1: "Du bist der Lenz" Key
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | |
 | Semiramide: Act II Scene 11: Al mio pregar t'arrendi - L'usato ardir (Semiramide, Arsace, Assur, Oroe) | Gioachino Rossini, Alex Penda, Marianna Pizzolato, Lorenzo Regazzo, John Osborn, Andrea Mastroni, Marija Jokovic, Vassilis Kavayas, Raffaele Facciola, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani | A♭ Major | 1 | 4B | 63 BPM | |
 | Grande messe des morts, Op. 5, "Requiem": Rex tremendae | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Major | 0 | 6B | 79 BPM | |
 | Requiem: VI. Rex Tremendae | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | C Minor | 1 | 5A | 108 BPM | |
 | Pictures at an Exhibition: Promenade I | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | |
 | Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Neige, neige, du Ohnegleiche" | Gustav Mahler, Lucia Popp, Arleen Auger, Vienna Boys' Choir, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Major | 2 | 6B | 101 BPM | |
 | Wagner: Tannhäuser, Act 2: "Gar viel und schön ward hier in dieser Halle" (Landgraf, Ritter, Edelfrauen, Edelknaben) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Jane Eaglen, René Pape, Staatskapelle Berlin | A♭ Major | 3 | 4B | 106 BPM | |
 | Wagner: Tristan und Isolde, WWV 90, Act 1 Scene 2: "Frisch weht er Wind der Heimat zu" (Der junge Seemann) | Richard Wagner, Rudolf Schock, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Wilhelm Furtwängler | A♭ Major | 0 | 4B | 104 BPM | |
 | Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 87 BPM | |
 | Les Troyens, H 133 / Act V: "Ah! Ah! Je vais mourir ... Adieu, fière cité" | Hector Berlioz, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | A♭ Major | 1 | 4B | 80 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.83123779296875
End: 0.8344719409942627