"Herbeck: Pueri concinite" by Johann Ritter von Herbeck, Les Petits Chanteurs du Collège Saint-Pierre was released on June 1, 2018. With this song being about 5 minutes long, at 4:42, "Herbeck: Pueri concinite" by Johann Ritter von Herbeck, Les Petits Chanteurs du Collège Saint-Pierre is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Un pour tous, tous pour un!". In this album, this song's track order is #3. In terms of popularity, Herbeck: Pueri concinite is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Herbeck: Pueri concinite by Johann Ritter von Herbeck, Les Petits Chanteurs du Collège Saint-Pierre having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Highland Cathedral | Organist Giles Taylor | D Major | 1 | 10B | 68 BPM | ||
Symphony No. 4 in D Minor, Op. 20: II. Andante | Johann Ritter von Herbeck, Irénée Peyrot, Hamburg Symphony Orchestra, Martin Haselböck | F Major | 0 | 7B | 134 BPM | ||
Das Halleluja der Schopfung (The Hallelujah of Creation): Heilig! Heilig! Heilig! (Chorus) | Friedrich Ludwig Aemilius Kunzen, Susanne Elmark, Danish National Radio Choir, Danish National Radio Symphony Orchestra, Peter Marschik | C Minor | 0 | 5A | 83 BPM | ||
Christus factus est, WAB 11 | Anton Bruckner, The Cambridge Singers, John Rutter | D Minor | 0 | 7A | 138 BPM | ||
Cantique de Jean Racine | Escolania de Montserrat, Eduard Vila i Perarnau, Gabriel Fauré, Joaquim Piqué i Calvo | C Major | 2 | 8B | 121 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Piccolominimesse, Kv 258: IV. Sanctus | Wolfgang Amadeus Mozart, Chor und Orchester von St. Augustin | C Major | 5 | 8B | 94 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM |
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