"Messa di Requiem, Dies irae: Tuba mirum" by Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker was released on November 6, 2001. With Messa di Requiem, Dies irae: Tuba mirum being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Roberto Alagna, Angela Gheorghiu, Berliner Philharmoniker, Claudio Abbado. The song's track number on the album is #4 out of 21 tracks. Messa di Requiem, Dies irae: Tuba mirum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa di Requiem, Dies irae: Tuba mirum by Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Messa di Requiem, Dies irae: Tuba mirum being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | A Major | 1 | 11B | 83 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Symphony No. 7 in A Major, Op. 92: 2. Allegretto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 140 BPM | ||
Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | D Minor | 1 | 7A | 147 BPM | ||
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
Symphonie Fantastique, Op.14, H 48: 5b. Songe d'une nuit du Sabbat - Dies irae | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 1 | 6A | 63 BPM | ||
Khovanshchina: Dance of the Persian Slaves | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker | G Major | 0 | 9B | 82 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Symphony No.9 In D Minor, Op.125 - "Choral" - Excerpt From 4th Movement: 4. Presto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 74 BPM |
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