"Orphée et Eurydice, ACT 3, Scène 1 (Eurydice et Orphée): Air: J'ai perdu mon Eurydice (Orphée)" by Anne Sofie von Otter, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon was released on 2003. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 37 in Classical Heartbreakers by Various Artists. In terms of popularity, Orphée et Eurydice, ACT 3, Scène 1 (Eurydice et Orphée): Air: J'ai perdu mon Eurydice (Orphée) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orphée et Eurydice, ACT 3, Scène 1 (Eurydice et Orphée): Air: J'ai perdu mon Eurydice (Orphée) by Anne Sofie von Otter, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei | Johann Sebastian Bach, Michael Chance, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 167 BPM | ||
La carte du tendre | Joseph Mustacchi, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 2 | 2B | 163 BPM | ||
Hai luli | Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung | G Minor | 1 | 6A | 100 BPM | ||
Stabat Mater: 6. Vidit suum | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | F Minor | 0 | 4A | 138 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
Ave Verum, Op. 65/1 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | G Minor | 0 | 6A | 87 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
4 Poèmes, Op. 5: No. 4, Sérénade | Charles Martin Loeffler, Anne Sofie von Otter, Antoine Tamestit, Bengt Forsberg | F Minor | 1 | 4A | 127 BPM | ||
Le nozze di Figaro, K.492 / Act 3: Recitativo: “Eccovi, o caro amico” | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Maurizio Muraro, Christiane Karg, Luca Pisaroni, Jory Vinikour | F Major | 1 | 7B | 125 BPM |
Section: 0.891803503036499
End: 0.8965780735015869