Richard Strauss, Birgit Nilsson, Marie Collier, Wiener Philharmoniker, Sir Georg Solti's 'Elektra, Op.58, TrV 223: "Nun muß es hier von uns geschehn."' came out on January 1, 1967. The duration of Elektra, Op.58, TrV 223: "Nun muß es hier von uns geschehn." is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Elektra, Op.58, TrV 223: "Nun muß es hier von uns geschehn."'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Strauss, R.: Elektra". In this album, this song's track order is #3. In terms of popularity, Elektra, Op.58, TrV 223: "Nun muß es hier von uns geschehn." is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Elektra, Op.58, TrV 223: "Nun muß es hier von uns geschehn." by Richard Strauss, Birgit Nilsson, Marie Collier, Wiener Philharmoniker, Sir Georg Solti having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Elektra: Iv. Ich kann nicht sitzen… | Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | F♯ Major | 1 | 2B | 88 BPM | ||
Elektra: Vi. Was heulst du? | Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | E Major | 4 | 12B | 89 BPM | ||
Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | F Major | 4 | 7B | 90 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Pictures At An Exhibition: Samuel Goldenberg And Schmuyle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | D♭ Major | 1 | 3B | 113 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 1. Allegro | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | G Major | 0 | 9B | 156 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM |
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