- BPM
- 105
- Key
- G Major
- Camelot
- 9B
Fantasy on Christmas Carols (The Holly and Ivy) - St. Paul's Cathedral Choir, Royal Philharmonic Orchestra, John Scott Information
- Acousticness
- 91%
- Danceability
- 21%
- Energy
- 10%
- Instrumentalness
- 83%
- Liveness
- 14%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 12%
- Loudness
- -17.661 dB
Summary
"Fantasy on Christmas Carols (The Holly and Ivy)" by St. Paul's Cathedral Choir, Royal Philharmonic Orchestra, John Scott was released on November 18, 2016. Since Fantasy on Christmas Carols (The Holly and Ivy) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Our Christmas Sequence". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Fantasy on Christmas Carols (The Holly and Ivy) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fantasy on Christmas Carols (The Holly and Ivy) BPM
With Fantasy on Christmas Carols (The Holly and Ivy) by St. Paul's Cathedral Choir, Royal Philharmonic Orchestra, John Scott having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Fantasy on Christmas Carols (The Holly and Ivy) Key
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Chansons Des Roses: I. En Une Seule Fleur | The Singers - Minnesota Choral Artists | D♭ Major | 1 | 3B | 131 BPM | |
 | 7 Partsongs, Op. 17: No. 3, My Spirit Sang All Day | Gerald Finzi, The Graduate Choir, nz, Terence Maskell | G Minor | 2 | 6A | 71 BPM | |
 | Ave Regina caelorum | Kenneth Tay, University of Glasgow Chapel Choir, Katy Lavinia Cooper | A Major | 1 | 11B | 80 BPM | |
 | Praise, my soul, the King of heaven (Praise, my soul) | John Goss, York Minster Choir, Philip Moore | D Major | 2 | 10B | 82 BPM | |
 | Unde et memores "And Now, O Father, Mindful of the Love" | William Henry Monk, The Chapel Choir of Marlborough College, Ian Crabbe, Robin Nelson | E♭ Major | 1 | 5B | 78 BPM | |
 | Let The Lower Lights Be Burning | Bliss, Ely Cathedral Choir, Paul Trepte | B♭ Major | 2 | 6B | 81 BPM | |
 | Glorious in Heaven | Percy Whitlock, St. Paul's Cathedral Choir, John Scott | D Major | 2 | 10B | 81 BPM | |
 | Messe brève No. 7: I. Kyrie | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D Minor | 2 | 7A | 104 BPM | |
 | Evening Hymn | Henry Balfour Gardiner, John Scott, St. Paul's Cathedral Choir | D Major | 1 | 10B | 70 BPM | |
 | Annelies (chamber version): II. The capture foretold | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 101 BPM |
- ISRC
- USX761632501
- Label
- L-M Records/RCA Records
Section: 1.4781920909881592
End: 1.481661319732666