Ahmet Adnan Saygun, Zeynep Ucbasaran's '12 Preludes on Aksak Rhythms, Op. 45: Prelude No. 2' had a release date set for April 29, 2008. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 35 in the song's album "Saygun: 12 Preludes On Aksak Rhythms / 10 Sketches On Aksak Rhythms / Piano Sonatina". In this album, this song's track order is #5. The popularity of 12 Preludes on Aksak Rhythms, Op. 45: Prelude No. 2 is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 12 Preludes on Aksak Rhythms, Op. 45: Prelude No. 2 by Ahmet Adnan Saygun, Zeynep Ucbasaran having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz in E Minor | Alexander Griboyedov, Vladimir Leyetchkiss | G Major | 0 | 9B | 130 BPM | ||
Eternity And A Day: 2. By The Sea | Eleni Karaindrou | B♭ Minor | 0 | 3A | 162 BPM | ||
Sofya'da Dans | Tuluyhan Uğurlu | C Minor | 3 | 5A | 121 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Sefika Kutluer, Craig Ogden | F♯ Minor | 1 | 11A | 70 BPM | ||
Ecole militaire | Henri Seroka | C Major | 0 | 8B | 107 BPM | ||
Korngold: Die tote Stadt, Op. 12, Act 1: Marietta’s lied | Erich Wolfgang Korngold, Renaud Capuçon | B♭ Major | 1 | 6B | 175 BPM | ||
Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM | ||
V mlhach (In the Mists), JW VIII/22: I. Andante | Leoš Janáček, Andrew Rangell | D♭ Minor | 0 | 12A | 171 BPM | ||
12 Preludes on Aksak Rhythms, Op. 45: Prelude No. 2 | Ahmet Adnan Saygun, Zeynep Ucbasaran | D♭ Minor | 2 | 12A | 172 BPM | ||
12 Preludes on Aksak Rhythms, Op. 45: IX. Presto | Burak Çebi, Ahmet Adnan Saygun | D Major | 2 | 10B | 97 BPM |