"Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Meine Partner, meine erprobten Freunde!" (Zerbinetta, Composer, Music Master, Primadonna, Dancing Master)" by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden was released on 1992. The duration of Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Meine Partner, meine erprobten Freunde!" (Zerbinetta, Composer, Music Master, Primadonna, Dancing Master) is about 3 minutes long, at 3:07. Based on our data, "Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Meine Partner, meine erprobten Freunde!" (Zerbinetta, Composer, Music Master, Primadonna, Dancing Master)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 27 in the song's album "R. Strauss: Ariadne auf Naxos". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Meine Partner, meine erprobten Freunde!" (Zerbinetta, Composer, Music Master, Primadonna, Dancing Master) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Meine Partner, meine erprobten Freunde!" (Zerbinetta, Composer, Music Master, Primadonna, Dancing Master) by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elektra: Iv. Ich kann nicht sitzen… | Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | F♯ Major | 1 | 2B | 88 BPM | ||
Don Quixote, Op. 35: Introduction | Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher | G Minor | 1 | 6A | 65 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): 3. Variation Of The Firebird | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 2 | 1A | 110 BPM | ||
Romanze in F Major, TrV 118: Romance for Cello and Orchestra | Richard Strauss, Alexander Rudin, RTÉ National Symphony Orchestra, Gerhard Markson | C Major | 1 | 8B | 91 BPM | ||
String Quartet No. 19 in C Major, K. 465 "Dissonance": I. Adagio - Allegro | Wolfgang Amadeus Mozart, Emerson String Quartet | C Major | 1 | 8B | 74 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Salome, Op. 54 / Scene 3: "Du bist verflucht" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Minor | 0 | 5A | 64 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM |
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