Nikolai Rimsky-Korsakov, Vladimir Galusin, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev's 'The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 2: Nam-to chto?' came out on January 1, 1999. With The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 2: Nam-to chto? being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 76 in the song's album "Rimsky-Korsakov: The Legend Of The Invisible City Of Kitezh". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Netherlands. The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 2: Nam-to chto? is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 2: Nam-to chto? by Nikolai Rimsky-Korsakov, Vladimir Galusin, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Capriccio in A Major, Op. 34: I. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Jazz Suite No. 2: VI. Waltz 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 2 | 5A | 108 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
The Maid of Pskov / Act 2: Intermezzo - Voiti, al' net? | Nikolai Rimsky-Korsakov, Vladimir Ognovienko, Gennadi Bezzubenkov, Mariinsky Orchestra, Valery Gergiev | E♭ Major | 1 | 5B | 111 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's dance | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | E Minor | 0 | 9A | 158 BPM | ||
Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | D Minor | 7 | 7A | 94 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM |
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