"Three Songs for Ariel: No. 3, Where the Bee Sucks" by Michael Tippett, Roderick Williams, Joseph Middleton was released on July 21, 2023. With Three Songs for Ariel: No. 3, Where the Bee Sucks being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Sounds and Sweet Airs - A Shakespeare Songbook". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Sweden. Three Songs for Ariel: No. 3, Where the Bee Sucks is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Songs for Ariel: No. 3, Where the Bee Sucks by Michael Tippett, Roderick Williams, Joseph Middleton having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tender Land Act I: Introduction and Love Music | Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra | F♯ Major | 1 | 2B | 83 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Symphony No. 2: IV. Allegro moderato | Michael Tippett, BBC Symphony Orchestra | D♭ Major | 0 | 3B | 68 BPM | ||
Massenet: Don Quichotte, Act 1: "Vous êtes, mon seigneur" (Dulcinée, Pedro, Garcias, Rodriguez, Juan) | Jules Massenet, Teresa Berganza, Christian Papis, Isabelle Vernet, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 134 BPM | ||
A Child of our Time: Part 1: The Narrator - Now in each nation there were some cast out (Bass) | Michael Tippett, Faye Robinson, Sarah Walker, Jon Garrison, John Cheek, Simon Halsey, City of Birmingham Symphony Chorus, City Of Birmingham Symphony Orchestra | A Major | 2 | 11B | 73 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 1, Prélude - No. 2, Scène de l’hiver | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM |
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