Three Songs for Ariel: No. 3, Where the Bee Sucks
Michael Tippett, Roderick Williams, Joseph Middleton
Sounds and Sweet Airs - A Shakespeare Songbook
1:15 July 21, 2023
BPM
72
Key
B♭ Major
Camelot
6B

Embed

Share Link

Three Songs for Ariel: No. 3, Where the Bee Sucks - Michael Tippett, Roderick Williams, Joseph Middleton Information

Acousticness
99%
Danceability
24%
Energy
20%
Instrumentalness
4%
Liveness
13%
Loudness
71%
Speechiness
7%
Valence
17%
Popularity
Loudness
-17.606 dB

Summary

"Three Songs for Ariel: No. 3, Where the Bee Sucks" by Michael Tippett, Roderick Williams, Joseph Middleton was released on July 21, 2023. With Three Songs for Ariel: No. 3, Where the Bee Sucks being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Sounds and Sweet Airs - A Shakespeare Songbook". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Sweden. Three Songs for Ariel: No. 3, Where the Bee Sucks is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Three Songs for Ariel: No. 3, Where the Bee Sucks BPM

With Three Songs for Ariel: No. 3, Where the Bee Sucks by Michael Tippett, Roderick Williams, Joseph Middleton having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Three Songs for Ariel: No. 3, Where the Bee Sucks Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Tender Land Act I: Introduction and Love Music by Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia OrchestraThe Tender Land Act I: Introduction and Love MusicAaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia OrchestraF♯ Major12B83 BPM
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto by Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-SéguinSymphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegrettoJean Sibelius, Orchestre Métropolitain, Yannick Nézet-SéguinG Major09B129 BPM
Symphony No. 2: IV. Allegro moderato by Michael Tippett, BBC Symphony OrchestraSymphony No. 2: IV. Allegro moderatoMichael Tippett, BBC Symphony OrchestraD♭ Major03B68 BPM
Massenet: Don Quichotte, Act 1: Massenet: Don Quichotte, Act 1: "Vous êtes, mon seigneur" (Dulcinée, Pedro, Garcias, Rodriguez, Juan)Jules Massenet, Teresa Berganza, Christian Papis, Isabelle Vernet, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De ToulouseG Minor06A78 BPM
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey by Charles Koechlin, Sinfonieorchester Basel, Ariane MatiakhThe Seven Stars' Symphony, Op. 132: II. Lilian HarveyCharles Koechlin, Sinfonieorchester Basel, Ariane MatiakhD♭ Major13B81 BPM
Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) by Edward Elgar, Hallé, Sir Mark ElderSymphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto)Edward Elgar, Hallé, Sir Mark ElderD Major110B134 BPM
A Child of our Time: Part 1: The Narrator - Now in each nation there were some cast out (Bass) by Michael Tippett, Faye Robinson, Sarah Walker, Jon Garrison, John Cheek, Simon Halsey, City of Birmingham Symphony Chorus, City Of Birmingham Symphony OrchestraA Child of our Time: Part 1: The Narrator - Now in each nation there were some cast out (Bass)Michael Tippett, Faye Robinson, Sarah Walker, Jon Garrison, John Cheek, Simon Halsey, City of Birmingham Symphony Chorus, City Of Birmingham Symphony OrchestraA Major211B73 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) by Jean Sibelius, San Francisco Symphony, Esa-Pekka SalonenSibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version)Jean Sibelius, San Francisco Symphony, Esa-Pekka SalonenE♭ Major15B76 BPM
Third Movement Moderate Pesante by Sir Adrian Boult, Vaughan Williams, London Philharmonic OrchestraThird Movement Moderate PesanteSir Adrian Boult, Vaughan Williams, London Philharmonic OrchestraG Minor16A79 BPM
The Seasons, Op. 67, Pt. 1 The Seasons, Op. 67, Pt. 1 "L'hiver": No. 1, Prélude - No. 2, Scène de l’hiverAlexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri KitayenkoC Major18B138 BPM
ISRC
SEAEC2353080
Label
L-M Records/RCA Records

Section: 0.7093181610107422

End: 0.7136759757995605