Die Schöpfung Hob. XXI:2 / Dritter Teil: 31. Rezitativ: Nun ist die erste Pflicht erfüllt
Franz Joseph Haydn, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine
Haydn: The Creation H.21
2:48 January 1, 1991
BPM
66
Key
A♭ Major
Camelot
4B

Embed

Share Link

Die Schöpfung Hob. XXI:2 / Dritter Teil: 31. Rezitativ: Nun ist die erste Pflicht erfüllt - Franz Joseph Haydn, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine Information

Acousticness
99%
Danceability
23%
Energy
6%
Instrumentalness
89%
Liveness
13%
Loudness
57%
Speechiness
4%
Valence
8%
Popularity
Loudness
-25.566 dB

Summary

"Die Schöpfung Hob. XXI:2 / Dritter Teil: 31. Rezitativ: Nun ist die erste Pflicht erfüllt" by Franz Joseph Haydn, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine was released on January 1, 1991. The duration of Die Schöpfung Hob. XXI:2 / Dritter Teil: 31. Rezitativ: Nun ist die erste Pflicht erfüllt is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Die Schöpfung Hob. XXI:2 / Dritter Teil: 31. Rezitativ: Nun ist die erste Pflicht erfüllt's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 12 out of 34. On top of that, Germany appears to be the country where this track was created. Die Schöpfung Hob. XXI:2 / Dritter Teil: 31. Rezitativ: Nun ist die erste Pflicht erfüllt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Schöpfung Hob. XXI:2 / Dritter Teil: 31. Rezitativ: Nun ist die erste Pflicht erfüllt BPM

We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Dritter Teil: 31. Rezitativ: Nun ist die erste Pflicht erfüllt by Franz Joseph Haydn, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.

Die Schöpfung Hob. XXI:2 / Dritter Teil: 31. Rezitativ: Nun ist die erste Pflicht erfüllt Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 2 in A Major, Op. 2, Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto AllegroWilliam Boyce, Aradia Ensemble, Kevin MallonA♭ Major14B181 BPM
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 by Janos Sebestyen, Johann Sebastian BachPrelude In D Major, BWV 925 : Prelude In D Major, BWV 925Janos Sebestyen, Johann Sebastian BachD Major310B139 BPM
String Quartet in D Major, Op. 71 No. 2: III. Menuetto (Allegro – Trio) by Franz Joseph Haydn, Maxwell QuartetString Quartet in D Major, Op. 71 No. 2: III. Menuetto (Allegro – Trio)Franz Joseph Haydn, Maxwell QuartetD Major010B106 BPM
Keyboard Sonata in A Major, Wq. 55/4, H. 186: I. Allegro assai by Carl Philipp Emanuel Bach, Christopher HinterhuberKeyboard Sonata in A Major, Wq. 55/4, H. 186: I. Allegro assaiCarl Philipp Emanuel Bach, Christopher HinterhuberG Major29B116 BPM
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) by Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock SolistenBist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo)Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock SolistenE♭ Major15B62 BPM
Griselda, RV 718, Sinfonia: I. Allegro by Antonio Vivaldi, Jean-Christophe Spinosi, Ensemble MatheusGriselda, RV 718, Sinfonia: I. AllegroAntonio Vivaldi, Jean-Christophe Spinosi, Ensemble MatheusC Major28B128 BPM
Missa in angustiis Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis DeoFranz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin DavisD Major210B86 BPM
A Fugal Concerto, Op. 40: II. Adagio by Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard GriffithsA Fugal Concerto, Op. 40: II. AdagioGustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard GriffithsD Major110B60 BPM
Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro) by George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor PinnockWater Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro)George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor PinnockE Major312B123 BPM
Der Fischer und das Milchmädchen: VIII. Andantino by Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario SalviDer Fischer und das Milchmädchen: VIII. AndantinoGiacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario SalviD Major110B77 BPM
ISRC
DEF058731731
Label
L-M Records/RCA Records

Section: 2.143087863922119

End: 2.147209405899048