"Die Schöpfung Hob. XXI:2 / Dritter Teil: 31. Rezitativ: Nun ist die erste Pflicht erfüllt" by Franz Joseph Haydn, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine was released on January 1, 1991. The duration of Die Schöpfung Hob. XXI:2 / Dritter Teil: 31. Rezitativ: Nun ist die erste Pflicht erfüllt is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Die Schöpfung Hob. XXI:2 / Dritter Teil: 31. Rezitativ: Nun ist die erste Pflicht erfüllt's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 12 out of 34. On top of that, Germany appears to be the country where this track was created. Die Schöpfung Hob. XXI:2 / Dritter Teil: 31. Rezitativ: Nun ist die erste Pflicht erfüllt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Dritter Teil: 31. Rezitativ: Nun ist die erste Pflicht erfüllt by Franz Joseph Haydn, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
String Quartet in D Major, Op. 71 No. 2: III. Menuetto (Allegro – Trio) | Franz Joseph Haydn, Maxwell Quartet | D Major | 0 | 10B | 106 BPM | ||
Keyboard Sonata in A Major, Wq. 55/4, H. 186: I. Allegro assai | Carl Philipp Emanuel Bach, Christopher Hinterhuber | G Major | 2 | 9B | 116 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Griselda, RV 718, Sinfonia: I. Allegro | Antonio Vivaldi, Jean-Christophe Spinosi, Ensemble Matheus | C Major | 2 | 8B | 128 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro) | George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | E Major | 3 | 12B | 123 BPM | ||
Der Fischer und das Milchmädchen: VIII. Andantino | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM |
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