Johann Sebastian Bach, Thomanerchor Leipzig, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Ludwig Güttler, Gerhard Essbach, Karl Semsch, Rolf Bachmann, Walter Heinz Bernstein, Burkhard Schmidt, Achim Beyer, Gerd Schulze made "Christ lag in Todesbanden, BWV 4: III. Verse 2. Den Tod niemand zwingen kunnt" available on 1977. The duration of Christ lag in Todesbanden, BWV 4: III. Verse 2. Den Tod niemand zwingen kunnt is about 3 minutes long, at 3:12. Based on our data, "Christ lag in Todesbanden, BWV 4: III. Verse 2. Den Tod niemand zwingen kunnt" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 29 in Bach: Easter Cantatas BWV 4, 31, 66, 134 by Johann Sebastian Bach, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachm Rotzsch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Christ lag in Todesbanden, BWV 4: III. Verse 2. Den Tod niemand zwingen kunnt is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Christ lag in Todesbanden, BWV 4: III. Verse 2. Den Tod niemand zwingen kunnt by Johann Sebastian Bach, Thomanerchor Leipzig, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Ludwig Güttler, Gerhard Essbach, Karl Semsch, Rolf Bachmann, Walter Heinz Bernstein, Burkhard Schmidt, Achim Beyer, Gerd Schulze is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1 in G Major, BWV 1007 (Arr. for Piano by Thomas Jarry): V. Menuets I/II | Johann Sebastian Bach, Thomas Jarry | D Major | 2 | 10B | 118 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio | Johann Gottlieb Goldberg, London Baroque | D Major | 0 | 10B | 87 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: VI. Gigue | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 71 BPM | ||
Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM |
Section: 0.6932773590087891
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