On August 19, 2019, the song "Big Jump - from the ballet "Bayadere"" was released by Ludwig Minkus, Alessio De Franzoni. With Big Jump - from the ballet "Bayadere" being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Piano Music for the Ballet Lesson 7: Ballet's Music selection for Pointes and Repertoire". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Italy. Based on our statistics, Big Jump - from the ballet "Bayadere"'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Big Jump - from the ballet "Bayadere" by Ludwig Minkus, Alessio De Franzoni having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Dance | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | B♭ Major | 3 | 6B | 124 BPM | ||
The Talisman. Female Variation | Riccardo Drigo, MetodoVadim | A Minor | 1 | 8A | 93 BPM | ||
Fast Grand Allegro (from La Bayadère) | Douglas Schultz, Ludwig Minkus | D Major | 2 | 10B | 113 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Ballabile | Blagoje Bersa, Goran Filipec | A Minor | 2 | 8A | 0 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
La Bayadere: 33. "Wedding Variation - Gamzatti, Faster Tempo" (Bonus Track) | Evergreen Symphony Orchestra, Kevin Galiè | A♭ Major | 1 | 4B | 83 BPM | ||
Die Puppenfee (The Fairy Doll): No. 15 Waltz | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 181 BPM | ||
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM |
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