Stockholm Radio Orchestra made "Monitor (Serenade for Strings Opus. 11 (Marcia))" available on January 1, 2013. With Monitor (Serenade for Strings Opus. 11 (Marcia)) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 32 in All Your Classic TV and Radio Hits!!! (Remastered) by Various Artists. Based on our statistics, Monitor (Serenade for Strings Opus. 11 (Marcia))'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Monitor (Serenade for Strings Opus. 11 (Marcia)) by Stockholm Radio Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Forkladd gud, Op. 24: Tror du, att faren skulle | Lars-Erik Larsson, Erik Saeden, Elisabeth Söderström, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | A Major | 3 | 11B | 85 BPM | ||
Ur Frosoblomster: I. Sommarsang (Summer Song) | Wilhelm Peterson-Berger, Norrköping Symphony Orchestra, Michail Jurowski | F Major | 0 | 7B | 82 BPM | ||
Rückert Lieder: III. Ich bin der Welt abhanden gekommen | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | E♭ Major | 0 | 5B | 72 BPM | ||
Gloria, FP 144: 1. Gloria | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | C Major | 3 | 8B | 109 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 1, Zum Eingang | Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter | E Minor | 0 | 9A | 124 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Rusalka, Op. 114 / Act 1: Hou, hou, hou, stojí mésic nad vodou! | Antonín Dvořák, Dana Buresova, Hana Minutillo, Livia Aghova, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Atalanta, HWV 35, Act I: Care selve | George Frideric Handel, Pretty Yende, Coronation Orchestra, Antonio Pappano, Matthew Jorysz | A Major | 2 | 11B | 119 BPM | ||
Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho | Sergei Rachmaninoff, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 78 BPM | ||
Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) | Richard Wagner, Wiener Philharmoniker, Rudolf Kempe | A Major | 0 | 11B | 68 BPM |
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