"Mignon: Je suis Titania" by Ambroise Thomas, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer was released on December 9, 2016. Mignon: Je suis Titania is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The song is number 3 out of 12 in Arier: Ch'il bel sogno by Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer. Mignon: Je suis Titania is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mignon: Je suis Titania by Ambroise Thomas, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parsifal, WWV 111: Prelude | Richard Wagner, Bayreuth Festival Orchestra, Pierre Boulez | A♭ Major | 1 | 4B | 115 BPM | ||
Die erste Walpurgisnacht, Op. 60: So weit gebracht, dass wir bei Nacht (Baritone, Chorus) | Felix Mendelssohn, MDR Leipzig Radio Chorus, Kurt Masur, Leipzig Gewandhaus Orchestra, Siegfried Lorenz | C Major | 3 | 8B | 83 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Hamlet - Acte I - 1er Tableau : Elseneur, Une Salle Du Palais - Introduction, Marche Et Choeur : O Toi Qui Fus La Femme De Mon Frère (Le Roi, Choeur, La Reine) | Ambroise Thomas, Carre Et Barbier, Denyce Graves, London Philharmonic Orchestra | E Major | 3 | 12B | 61 BPM | ||
Elgar: Sea Pictures, Op. 37: II. In Haven "Capri", "Closely let me hold thy hand" (Allegretto) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 66 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 1: "Täubchen, das entflattert ist" (Alfred, Adele, Rosalinde) | Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner Rundfunkorchester | G Major | 1 | 9B | 49 BPM | ||
Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM |
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