Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic made "Symphony No. 5 in D Minor, Op. 47: II. Allegretto" available on 1959. With this song being about 5 minutes long, at 4:54, "Symphony No. 5 in D Minor, Op. 47: II. Allegretto" by Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Shostakovich: Symphony Nos. 5 & 9". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Symphony No. 5 in D Minor, Op. 47: II. Allegretto is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Symphony No. 5 in D Minor, Op. 47: II. Allegretto by Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Pianos, FP 61: I. Allegro ma non troppo | Francis Poulenc, Leonard Bernstein, New York Philharmonic | E♭ Major | 2 | 5B | 70 BPM | ||
Holberg Suite, Op.40: 2. Sarabande (Andante) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 85 BPM | ||
The Four Seasons, Op. 8 L'inverno "Winter": I. Allegro non molto | Antonio Vivaldi, Paolo Bordignon, Frank Huang, New York Philharmonic | F Minor | 2 | 4A | 153 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): I. Largo | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | C Major | 0 | 8B | 96 BPM | ||
Alborada del gracioso, M. 43: Assez vif | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Major | 1 | 10B | 121 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.11 Dance of the Clowns | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | B Major | 2 | 1B | 129 BPM | ||
Le carnaval des animaux, R. 125: 14. Final | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 100 BPM | ||
Mass: VIII. Epistle: "The Word of The Lord" - Live | Leonard Bernstein, Kevin Vortmann, Lyn Philistine, Devin Ilaw, Kent Overshown, Sarah Uriarte Berry, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast | E♭ Major | 1 | 5B | 167 BPM | ||
"Pomp and Circumstance," Op.39: March, No.2 In A Minor | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 2 | 10A | 132 BPM | ||
Mass / XV. Agnus Dei: a. "Agnus Dei, qui tollis peccata mundi" - Live | Leonard Bernstein, Kevin Vortmann, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir, Temple University Concert Choir | E♭ Major | 2 | 5B | 79 BPM |
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