Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo's '12 Trio Sonatas, Op. 1, Sonata V in C Major, Talm I, 5: I. Grave' came out on March 1, 2016. With 12 Trio Sonatas, Op. 1, Sonata V in C Major, Talm I, 5: I. Grave being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 48 in Albinoni: Trio Sonatas, Op. 1 by Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, 12 Trio Sonatas, Op. 1, Sonata V in C Major, Talm I, 5: I. Grave is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 12 Trio Sonatas, Op. 1, Sonata V in C Major, Talm I, 5: I. Grave by Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in A Major, Op. 7 No. 1: II. Adagio | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | B Major | 0 | 1B | 79 BPM | ||
String Quartet No. 17 in F Major, Hob. III:17 "Serenade": II. Andante cantabile | Franz Joseph Haydn, Carmina Quartet, Rolf Lislevand | C Major | 0 | 8B | 98 BPM | ||
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro | Domenico Scarlatti, Balazs Szokolay | F Major | 1 | 7B | 118 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
Concerto in F Major, Seibel 234: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 133 BPM | ||
Les ballets du roi: Gavotte en rondeau (arr. for violin and piano) | Anonymous, Jean-Baptiste Lully, Takako Nishizaki, Terence Dennis | A Minor | 1 | 8A | 81 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |
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