Franz Schubert, Daniel Barenboim's 'Piano Sonata No. 4 in A minor, D.537: II. Allegretto quasi andantino' came out on January 1, 2014. Since Piano Sonata No. 4 in A minor, D.537: II. Allegretto quasi andantino is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 41 in the song's album "Schubert: Piano Sonatas". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Piano Sonata No. 4 in A minor, D.537: II. Allegretto quasi andantino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata No. 4 in A minor, D.537: II. Allegretto quasi andantino by Franz Schubert, Daniel Barenboim having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.2 in B Major, Op.33 No.2 | Gabriel Fauré, Pascal Rogé | B Minor | 2 | 10A | 183 BPM | ||
Sonata in B Minor, K. 87: Andante | Domenico Scarlatti, Ivo Pogorelich | B Minor | 0 | 10A | 147 BPM | ||
Études-tableaux, Op. 39: No. 2, Lento assai | Sergei Rachmaninoff, Boris Giltburg | A Minor | 0 | 8A | 65 BPM | ||
Pictures at an Exhibition: Promenade V | Modest Mussorgsky, Khatia Buniatishvili | F Major | 1 | 7B | 101 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
10 Préludes, Op. 23: No. 10. Largo in G-Flat Major | Sergei Rachmaninoff, Nikolai Lugansky | F♯ Minor | 3 | 11A | 114 BPM | ||
Lieder ohne Worte, Op.102: No. 2. Adagio in D, MWV U 192 | Felix Mendelssohn, Daniel Barenboim | D Major | 0 | 10B | 130 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Pièce pour le Vêtement du blessé "Page d'album", CD 141 | Claude Debussy, Steven Osborne | A♭ Major | 0 | 4B | 69 BPM |
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