"Turangalila Symphony (1997 - Remaster): Chant d'amour I" by Olivier Messiaen, André Previn, London Symphony Orchestra was released on May 30, 2008. Since Turangalila Symphony (1997 - Remaster): Chant d'amour I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Messiaen: Turangalîla-Symphonie & Quatuor pour la fin du temps's "Messiaen: Turangalîla-Symphonie & Quatuor pour la fin du temps" album is number 2 out of 24. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Turangalila Symphony (1997 - Remaster): Chant d'amour I is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalila Symphony (1997 - Remaster): Chant d'amour I by Olivier Messiaen, André Previn, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cuatro piezas españolas: I. Aragonesa. Allegro | Manuel de Falla, Javier Perianes | C Major | 1 | 8B | 100 BPM | ||
Serenade: I. Phaedrus - Pausanias: Lento - Allegro | Leonard Bernstein, Philippe Quint, Timothy Walden, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Nocturnes, L. 91: 3. Sirènes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Robin Gritton | F♯ Major | 1 | 2B | 93 BPM | ||
Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM | ||
Sinfonietta No. 2: I. Notturno: Adagio | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 76 BPM | ||
Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Emmanuelle Bertrand, BBC National Orchestra Of Wales, Pascal Rophe | E♭ Major | 0 | 5B | 91 BPM | ||
Polish Requiem: Ciaconne (Chaconne): A Polish Requiem: Ciaconne (Chaconne) | Krzysztof Penderecki, Sinfonia Varsovia | G Minor | 1 | 6A | 103 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
Road Movies: III. 40% Swing | John Adams | E Minor | 3 | 9A | 135 BPM | ||
Allegro barbaro, BB 63: Allegro barbaro, Sz. 49 | Béla Bartók, Jenő Jandó | E♭ Major | 1 | 5B | 90 BPM |
Section: 0.960892915725708
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