"La Damnation de Faust, Op. 24, H. 111: Pt. IV, Scène XX - Dans le ciel. "Laus! Hosanna!" - Apothéose de Marguerite. "Remonte au ciel, âme naïve"" by Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Tiffin Children's Chorus, Tiffin Boys' Choir, Tiffin Girls' Choir, Sir Simon Rattle was released on March 8, 2019. With this song being about 5 minutes long, at 5:27, "La Damnation de Faust, Op. 24, H. 111: Pt. IV, Scène XX - Dans le ciel. "Laus! Hosanna!" - Apothéose de Marguerite. "Remonte au ciel, âme naïve"" by Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Tiffin Children's Chorus, Tiffin Boys' Choir, Tiffin Girls' Choir, Sir Simon Rattle is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 18 out of 36 in Berlioz: La damnation de Faust by Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle, Christopher Purves, Karen Cargill, Bryan Hymel, Gábor Bretz. In terms of popularity, La Damnation de Faust, Op. 24, H. 111: Pt. IV, Scène XX - Dans le ciel. "Laus! Hosanna!" - Apothéose de Marguerite. "Remonte au ciel, âme naïve" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Damnation de Faust, Op. 24, H. 111: Pt. IV, Scène XX - Dans le ciel. "Laus! Hosanna!" - Apothéose de Marguerite. "Remonte au ciel, âme naïve" by Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Tiffin Children's Chorus, Tiffin Boys' Choir, Tiffin Girls' Choir, Sir Simon Rattle is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: 4. Allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 79 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Symphony No. 2 in B-Flat major, D. 125: II. Andante | Franz Schubert, Günter Wand | A Minor | 3 | 8A | 168 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM |
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