Janos Balint, Felix Mendelssohn, Budapest Symphony Orchestra, Pier Giorgio Morandi's 'Violin Concerto in E Minor, Op. 64 (arr. J. Balint): III. Allegro non troppo - Allegro molto vivace' came out on July 15, 2014. Violin Concerto in E Minor, Op. 64 (arr. J. Balint): III. Allegro non troppo - Allegro molto vivace is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The track order of this song in Janos Balint, Felix Mendelssohn, Pier Giorgio Morandi's "Mendelssohn / Paganini: Violin Concertos Arranged for Flute" album is number 3 out of 7. Violin Concerto in E Minor, Op. 64 (arr. J. Balint): III. Allegro non troppo - Allegro molto vivace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto in E Minor, Op. 64 (arr. J. Balint): III. Allegro non troppo - Allegro molto vivace by Janos Balint, Felix Mendelssohn, Budapest Symphony Orchestra, Pier Giorgio Morandi to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Csárdás, Op. 40 (Arr. S. Escura for 2 Flutes & Piano) | Franz Doppler, Claudi Arimany, Janos Balint, Katia Michel | D Major | 1 | 10B | 88 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Berliner Philharmoniker | D Major | 0 | 10B | 95 BPM | ||
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
Symphony No. 3 in F major, Op. 90: III. Poco allegretto | Seattle Symphony Orchestra | C Minor | 0 | 5A | 92 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM |
Section: 0.7154374122619629
End: 0.7194981575012207