"Csárdás, Op. 40 (Arr. S. Escura for 2 Flutes & Piano)" by Franz Doppler, Claudi Arimany, Janos Balint, Katia Michel was released on November 6, 2020. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 35 in F. & C. Doppler: The Complete Flute Music, Vols. 11 & 12 by Karl Doppler, Claudi Arimany. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Csárdás, Op. 40 (Arr. S. Escura for 2 Flutes & Piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Csárdás, Op. 40 (Arr. S. Escura for 2 Flutes & Piano) by Franz Doppler, Claudi Arimany, Janos Balint, Katia Michel is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Mendelssohn: 6 Lieder, Op. 1: No. 3 Warum sind denn die Rosen so blass | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Minor | 1 | 8A | 93 BPM | ||
Pulcinella, K 034: IV. Tarantella | Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons | C Minor | 0 | 5A | 77 BPM | ||
Oboe Sonata in D Major, Op. 166: I. Andantino | Camille Saint-Saëns, Allan Vogel, Bryan Pezzone | D Minor | 2 | 7A | 66 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIII. Allegro alla breve | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Kinderszenen, Op. 15: VIII. Am Kamin | Robert Schumann, Céline Moinet, Florian Uhlig | F Major | 0 | 7B | 112 BPM | ||
Fantaisie Pastorale Hongroise op.26 | Franz Doppler, Sylwia Kubiak-Dobrowolska, Maciej Pajorek | E Major | 1 | 12B | 99 BPM | ||
The Old Refrain | Fritz Kreisler, Elissa Lee Koljonen, Robert Koenig | C Major | 1 | 8B | 108 BPM | ||
Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro | Carl Reinecke, Jasmine Choi | E Minor | 1 | 9A | 108 BPM | ||
Kossuth march | Franz Doppler, Laszlo Dohos, Hungarian Army Central Wind Orchestra | B♭ Major | 2 | 6B | 96 BPM |
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