Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs made "Matthäus-Passion, BWV 244, Part I: No. 25, Choral "Was mein Gott will, das g'scheh' allzeit"" available on October 21, 2013. With Matthäus-Passion, BWV 244, Part I: No. 25, Choral "Was mein Gott will, das g'scheh' allzeit" being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 70 in Bach: Matthäus-Passion (St Matthew Passion) by Johann Sebastian Bach, René Jacobs, RIAS Kammerchor, Akademie für Alte Musik Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Matthäus-Passion, BWV 244, Part I: No. 25, Choral "Was mein Gott will, das g'scheh' allzeit" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Matthäus-Passion, BWV 244, Part I: No. 25, Choral "Was mein Gott will, das g'scheh' allzeit" by Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Ich Hab In Gottes Herz Und Sinn BWV 92, Aria (Basso): Das Brausen Von Den Rauhen Winden | Pieter Jan Leusink, Knut Schoch, Johann Sebastian Bach, Holland Boys Choir; Netherlands Bach Collegium, Peter Frankenberg, D'amore, Frank Wakelkamp, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Ofer Frenkel | A Major | 2 | 11B | 172 BPM | ||
I. Gott Ist Mein König BWV 71, 7. Choral (Coro): Das Neue Regiment | Holland Boys Choir, Netherlands Bach Collegium, Katherin Steddon, Sytse Buwalda, Bas Ramselaar, Anneke Boeke, Knut Schoch, Frank Aarnink, Ofer Frenke, Johann Sebastian Bach, Ruth Holton, Peter Frankenberg, Pieter Jan Leusink | D♭ Major | 1 | 3B | 83 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 26. Evangelista, Jesus, Judas "Und er kam und fand sie aber schlafend" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Frits Vanhulle, Franz-Joseph Selig, Ian Bostridge | A♭ Major | 1 | 4B | 96 BPM | ||
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [1] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Concerto grosso No. 10 in F Major: II. Allegro | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | E Major | 2 | 12B | 70 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 8. Choral (Coro) (Versus VII): Wir Essen Und Leben Wohl | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Serse: Sinfonia | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl | A Major | 4 | 11B | 79 BPM | ||
Concerto For 2 Keyboards in C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
Matthäus Passion, Parte Seconda: 38c. Recitative - Evangelist, Peter: Da Hub Er An, Sich Zu Verfluchen | Stephen Cleobury, Martyn Hill, Michael George, Choir of King's College, Cambridge, Rogers Covey-Crump, Johann Sebastian Bach, Emma Kirkby, Michael Chance, David Thomas | B Major | 0 | 1B | 88 BPM | ||
Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 2 | 2B | 129 BPM |
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