"Au bord de l'eau, Op. 8, No. 1" by Gabriel Fauré, Mischa Maisky, Daria Hovora was released on September 23, 2022. The duration of Au bord de l'eau, Op. 8, No. 1 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Au bord de l'eau, Op. 8, No. 1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 112 in A Season of Music: Fauré by Gabriel Fauré. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Au bord de l'eau, Op. 8, No. 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Au bord de l'eau, Op. 8, No. 1 by Gabriel Fauré, Mischa Maisky, Daria Hovora is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate No. 1 pour violoncelle et piano, Op. 109: II. Andante | Gabriel Fauré, Marc Coppey, François Dumont | D Major | 1 | 10B | 84 BPM | ||
Fauré: Élégie, Op. 24 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | A♭ Major | 0 | 4B | 89 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Berceuse, Op. 16 (arr. for cello and guitar) | Anonymous , Gabriel Fauré, Claremont Duo | G Minor | 2 | 6A | 122 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) | Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan | E Minor | 1 | 9A | 105 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM |
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