"Albéniz: Iberia, Cuaderno II: No. 6, Triana" by Isaac Albéniz, Michel Block was released on March 8, 2024. With this song being about 5 minutes long, at 5:05, "Albéniz: Iberia, Cuaderno II: No. 6, Triana" by Isaac Albéniz, Michel Block is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 13 in Albéniz: Iberia by Isaac Albéniz, Michel Block. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Albéniz: Iberia, Cuaderno II: No. 6, Triana is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Albéniz: Iberia, Cuaderno II: No. 6, Triana by Isaac Albéniz, Michel Block is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romanian Folk Dances, Sz.56: I. Allegro moderato | Béla Bartók, Kurt Nikkanen, Rohan De Silva | A Minor | 0 | 8A | 80 BPM | ||
Suite espagnole, Op. 47: IV. Cádiz | Isaac Albéniz, Thibault Cauvin | A Major | 2 | 11B | 83 BPM | ||
Suite Española No. 1, Op. 47: No. 5, Asturias (Leyenda) [Arranged by John Williams for Guitar] | Isaac Albéniz, John Williams | E Minor | 1 | 9A | 110 BPM | ||
24 Progressive Lessons, Op. 31: No. 6, Andante | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM | ||
Concerto for 2 Oboes in A Minor, RV 536: III. Allegro | Antonio Vivaldi, Stefan Schilli, Diethelm Jonas, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile - Version 1979 | Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | A Major | 1 | 11B | 107 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Preludes, Book 1: No. 8. La fille aux cheveux de lin (arr. for guitar) | Claude Debussy, Paul Galbraith | G Major | 0 | 9B | 92 BPM |
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