"Das Berliner Requiem (1929): 3. Epitaph: Andante moderato" by Kurt Weill, Philip Langridge, Benjamin Luxon, Michael Rippon, London Sinfonietta, David Atherton was released on January 1, 1976. With Das Berliner Requiem (1929): 3. Epitaph: Andante moderato being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #17 out of 42 tracks. In terms of popularity, Das Berliner Requiem (1929): 3. Epitaph: Andante moderato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Berliner Requiem (1929): 3. Epitaph: Andante moderato by Kurt Weill, Philip Langridge, Benjamin Luxon, Michael Rippon, London Sinfonietta, David Atherton has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Das Berliner Requiem (1929): 3. Epitaph: Andante moderato being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dichterliebe, Op.48: 7. Ich grolle nicht | Robert Schumann, Fritz Wunderlich, Hubert Giesen | B♭ Major | 2 | 6B | 96 BPM | ||
Lohengrin, WWV 75: Prelude To Act I | Richard Wagner, Wiener Philharmoniker, Claudio Abbado | A Major | 4 | 11B | 98 BPM | ||
Quella fiamma che m'accende | Benedetto Marcello, Cecilia Bartoli, György Fischer | G Minor | 1 | 6A | 132 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Nocturne No. 2 in E-Flat Major, Op. 9, No. 2 (Arr. R. Pontinen and M. Frost) | Frédéric Chopin, Martin Fröst, Roland Pöntinen | D Major | 2 | 10B | 98 BPM | ||
Adès: Les baricades mistérieuses | Thomas Adès, Composers Ensemble | B♭ Major | 0 | 6B | 132 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM |
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