Lorenzo Allegri, Ensemble Pygmalion, Raphael Pichon made "Le Lagrime d'Orfeo: 22. Gagliarda a 6 "Primo ballo della Notte d’Amore"" available on May 19, 2017. With Le Lagrime d'Orfeo: 22. Gagliarda a 6 "Primo ballo della Notte d’Amore" being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Stravaganza d'Amore! The Birth of Opera at the Medici Court". In this album, this song's track order is #1. Le Lagrime d'Orfeo: 22. Gagliarda a 6 "Primo ballo della Notte d’Amore" is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Le Lagrime d'Orfeo: 22. Gagliarda a 6 "Primo ballo della Notte d’Amore" by Lorenzo Allegri, Ensemble Pygmalion, Raphael Pichon having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rubum quem: Rubum quem | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | B Major | 1 | 1B | 176 BPM | ||
O Jove, from stately throne | Richard Farrant, Catherine King, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 78 BPM | ||
Terpsichore*: Spagnoletta | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 2 | 6B | 84 BPM | ||
Trad: Ninna nanna alla Napoletana (Napoletana) | Philippe Jaroussky | D Major | 1 | 10B | 80 BPM | ||
Ballo della Serena: II. Gagliarda | Lorenzo Allegri, Vincent Dumestre, Le Poème Harmonique | G Major | 1 | 9B | 83 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Major | 4 | 8B | 101 BPM | ||
Armoniosi concerti sopra la chitarra spagnuola: Chiaccona in parte variate alla vera spagnuola | Domenico Pellegrini, Christoph Sommer, Karl Nyhlin, Nora Thiele, Cecilia Knudtsen, Hugo Ticciati, O/Modernt Chamber Orchestra | C Major | 1 | 8B | 146 BPM | ||
Balletto Quarto: Adaggio | Maurizio Cazzati, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | F♯ Minor | 1 | 11A | 130 BPM | ||
Zefiro torna e di soavi accenti | Claudio Monteverdi, Capella De La Torre, Katharina Bauml | G Major | 1 | 9B | 93 BPM | ||
Pavane de la tromba hollandica | Maurice of Hesse-Kassel, Capella De La Torre, Katharina Bauml | C Major | 1 | 8B | 74 BPM |
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