Philippe Jaroussky's 'Trad: Ninna nanna alla Napoletana (Napoletana)' came out on October 29, 2012. With this song being about 5 minutes long, at 4:40, "Trad: Ninna nanna alla Napoletana (Napoletana)" by Philippe Jaroussky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 32 in the song's album "The Voice". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Trad: Ninna nanna alla Napoletana (Napoletana) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trad: Ninna nanna alla Napoletana (Napoletana) by Philippe Jaroussky having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
Pergolesi: Stabat Mater: IX. Sancta Mater, istud agas | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 136 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Trenet / Transc Ducros: Chanson d'automne | Charles Trenet, Philippe Jaroussky, Jerome Ducros, Quatuor Ébène | E♭ Major | 1 | 5B | 118 BPM | ||
The Armed Man - A Mass For Peace: III. Kyrie | Karl Jenkins, Mike Brewer, London Philharmonic Orchestra | D Minor | 2 | 7A | 82 BPM | ||
Mancini: Quanto mai saria più bello: "Irene, che ne dici?" | Francesco Mancini, Philippe Jaroussky, William Christie | B Minor | 0 | 10A | 75 BPM | ||
Cavalli: Eritrea, Act 1: "O luci belle" (Laodicea, Theramene) | Francesco Cavalli, Philippe Jaroussky, Emőke Baráth | A Minor | 1 | 8A | 76 BPM | ||
Pars III: Et erit post haec - effundam | Helicon and Euterpe Choir, Marco Beasley, Elisabetta de Mircovich, Claudia Caffagni, Karen Peeters, Jaap Kruithof, Edwin Derde, Guido Morini, Geert Hendrix | E Minor | 0 | 9A | 79 BPM | ||
Fauré: 3 Mélodies, Op. 18: No. 3, Automne | Gabriel Fauré, Philippe Jaroussky, Jerome Ducros | F♯ Major | 0 | 2B | 100 BPM |
Section: 0.5160560607910156
End: 0.5197203159332275