Silvius Leopold Weiss, Michel Cardin's 'Sonata No. 1 in F Major, WeissSW 1: II. Allemande' came out on January 1, 2015. Sonata No. 1 in F Major, WeissSW 1: II. Allemande is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #2 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Based on our statistics, Sonata No. 1 in F Major, WeissSW 1: II. Allemande's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Sonata No. 1 in F Major, WeissSW 1: II. Allemande by Silvius Leopold Weiss, Michel Cardin has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonata No. 1 in F Major, WeissSW 1: II. Allemande being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Whirler of the Dance: Dance | Bret Williams | A Minor | 2 | 8A | 99 BPM | ||
Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM | ||
Gerle : En l'ombre d'ung buysonnet | Heringman | D Major | 1 | 10B | 107 BPM | ||
Suite En Mi Mineur: Sarabande, II.100 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 1 | 2A | 70 BPM | ||
Folías: Folias | Gaspar Sanz, Antonio Martín y Coll, José Miguel Moreno | D Minor | 1 | 7A | 95 BPM | ||
Mudarra : Glosa sobre un Kyrie postrero | Heringman | C Minor | 0 | 5A | 96 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 22 Larghetto, n. 23 Allegro, n. 24 Andante | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Galliard in G Minor a 3 (23) | Orlando Gibbons, L'Achéron, François Joubert-Caillet | A Major | 1 | 11B | 142 BPM | ||
Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM |
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