"Canzon XXVIII a 8, "Sol sol la fa mi" (arr. E. Crees for brass)" by Giovanni Gabrieli, Eric Crees, London Symphony Brass was released on September 26, 1997. With Canzon XXVIII a 8, "Sol sol la fa mi" (arr. E. Crees for brass) being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giovanni Gabrieli, Eric Crees's "Gabrieli: Music for Brass, Vol. 1" album is number 10 out of 16. The popularity of Canzon XXVIII a 8, "Sol sol la fa mi" (arr. E. Crees for brass) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Canzon XXVIII a 8, "Sol sol la fa mi" (arr. E. Crees for brass) by Giovanni Gabrieli, Eric Crees, London Symphony Brass to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 23, SwWV 310, "Mein Huter und mein Hirt": Variation 1 | Jan Pieterszoon Sweelinck, Joseph Kelemen | F♯ Minor | 0 | 11A | 67 BPM | ||
Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM | ||
Una sarao de la chacona, "A la vida bona" | Juan Arañés, Piffaro | F♯ Major | 2 | 2B | 140 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Suite from West Side Story | Eric Crees, Leonard Bernstein, London Symphony Brass | G Major | 3 | 9B | 165 BPM | ||
Missa Quadragesimalis, MH 552: Dona nobis pacem | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 2 | 12B | 129 BPM | ||
Gabrieli, G: Sacrae symphoniae, Liber I: No. 31, Canzon noni toni, C. 173 | Giovanni Gabrieli, Michel Corboz, Orquestra Gulbenkian | F Major | 1 | 7B | 82 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: V. Ach ja, mein Gott | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | B♭ Major | 0 | 6B | 55 BPM | ||
El Salón México | Eric Crees, Aaron Copland, London Symphony Brass | G Major | 3 | 9B | 165 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM |
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