"Don Giovanni, K.527, Act I, Scena prima: Ah! Del padre in periglio...Ma qual mai s'offre" by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker was released on October 31, 1988. The duration of Don Giovanni, K.527, Act I, Scena prima: Ah! Del padre in periglio...Ma qual mai s'offre is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Don Giovanni, K.527, Act I, Scena prima: Ah! Del padre in periglio...Ma qual mai s'offre's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 4 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Don Giovanni, K.527, Act I, Scena prima: Ah! Del padre in periglio...Ma qual mai s'offre is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K.527, Act I, Scena prima: Ah! Del padre in periglio...Ma qual mai s'offre by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act 3: Entr'acte | Johann Strauss II, Wiener Philharmoniker, André Previn | C Major | 3 | 8B | 142 BPM | ||
Lohengrin, WWV 75 / Act 3: "Atmest du nicht mit mir die süßen Düfte?" | Richard Wagner, Plácido Domingo, Jessye Norman, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 80 BPM | ||
Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen" | Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 95 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Schubert: Symphony No. 1 in D Major, D. 82: III. Menuetto (Allegro) - Trio | Franz Schubert, Riccardo Muti, Wiener Philharmoniker | D Major | 0 | 10B | 98 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella | Carl Orff, Riccardo Muti, Arleen Auger, Philharmonia Orchestra | B♭ Minor | 0 | 3A | 79 BPM | ||
Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa | Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 180 BPM | ||
Lohengrin, WWV 75 / Act 3: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Plácido Domingo, Hans Sotin, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 86 BPM |
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