"Mass No. 2 in G Major, D. 167: III. Credo" by Franz Schubert, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper was released on April 14, 2023. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 81 out of 174 in Abbado: Schoenberg – Schubert by Franz Schubert, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Mass No. 2 in G Major, D. 167: III. Credo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass No. 2 in G Major, D. 167: III. Credo by Franz Schubert, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live | Claudio Monteverdi, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | B Minor | 1 | 10A | 167 BPM | ||
Wohin?, Op. 25, No. 2, D. 795 | Franz Schubert, Philippe Sly, John Charles Britton | E Major | 1 | 12B | 167 BPM | ||
Schubert: Mass in G Major, D. 167: Agnus Dei | Franz Schubert, Lucia Popp, Bavarian Radio Chorus, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Requiem in D Minor, K. 626: 7. Agnus Dei - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | F Major | 1 | 7B | 108 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Christus factus est | Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique | D Minor | 0 | 7A | 173 BPM | ||
Giulio Cesare in Egitto, HWV 17, Act III: "E pur cosi / Piangerò la sorte mia" | George Frideric Handel, Kathleen Battle, Margo Garrett | E Major | 0 | 12B | 71 BPM | ||
I Was Glad | Hubert Parry, The Sixteen, Harry Christophers | B♭ Major | 2 | 6B | 172 BPM | ||
Requiem, Op. 48: II. Kyrie | Gabriel Fauré, Harry Peeters, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Minor | 0 | 7A | 71 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Major | 3 | 10B | 142 BPM |
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