Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live
Claudio Monteverdi, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir
Monteverdi: Vespers of the Blessed Virgin
2:09 December 8, 1986
BPM
167
Key
B Minor
Camelot
10A

Embed

Share Link

Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live - Claudio Monteverdi, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir Information

Acousticness
96%
Danceability
18%
Energy
11%
Instrumentalness
0%
Liveness
16%
Loudness
67%
Speechiness
5%
Valence
4%
Popularity
Loudness
-19.917 dB

Summary

"Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live" by Claudio Monteverdi, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir had its release date on December 8, 1986. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner's "Monteverdi: Vespers of the Blessed Virgin" album is number 1 out of 14. On top of that, Germany appears to be the country where this track was created. The popularity of Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live BPM

We consider the tempo marking of Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live by Claudio Monteverdi, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Affetti musicali, Op. 1: VII. Sinfonia grave. La Zorzi by Biagio Marini, His Majestys Sagbutts & CornettsAffetti musicali, Op. 1: VII. Sinfonia grave. La ZorziBiagio Marini, His Majestys Sagbutts & CornettsA Minor08A103 BPM
Cantata per la Notte del SS.mo Natale: Cantata per la Notte del SS.mo Natale: "All'arme si accesi guerrieri" (Aria dell Pace)Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc MinkowskiD♭ Major53B121 BPM
Symphony No. 4 In D Minor, Op. 120 - Original Version (1841): 2. Romanza: Andante by Robert Schumann, Orchestre Révolutionnaire et Romantique, John Eliot GardinerSymphony No. 4 In D Minor, Op. 120 - Original Version (1841): 2. Romanza: AndanteRobert Schumann, Orchestre Révolutionnaire et Romantique, John Eliot GardinerD Major110B139 BPM
Gloria, FP 144: 4. Domini Fili Unigenite by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverGloria, FP 144: 4. Domini Fili UnigeniteFrancis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverG Major29B113 BPM
L'incoronazione di Poppea: L'incoronazione di Poppea: "Pur ti miro"Claudio Monteverdi, Pianca Luca, Roberta Invernizzi, Sonia Prina, Ensemble ClaudianaD♭ Minor512A83 BPM
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta by Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger BarockorchesterOrfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funestaChristoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger BarockorchesterF Minor14A80 BPM
Sehet, wir gehn hinauf gen Jerusalem, BWV 159: Chorale: Jesu, deine Passion by Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerSehet, wir gehn hinauf gen Jerusalem, BWV 159: Chorale: Jesu, deine PassionJohann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerD Major110B93 BPM
Lieder eines fahrenden Gesellen: Ging heut' morgen übers Feld by Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot GardinerLieder eines fahrenden Gesellen: Ging heut' morgen übers FeldGustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot GardinerD Major010B70 BPM
Die Zauberflöte, K.620 / Act 2: Ein Mädchen oder Weibchen by Wolfgang Amadeus Mozart, Gerald Finley, English Baroque Soloists, John Eliot GardinerDie Zauberflöte, K.620 / Act 2: Ein Mädchen oder WeibchenWolfgang Amadeus Mozart, Gerald Finley, English Baroque Soloists, John Eliot GardinerF Major07B86 BPM
L'incoronazione di Poppea, SV 308 / Act III: L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro"Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot GardinerG Major09B125 BPM
ISRC
DEF058930601
Label
L-M Records/RCA Records