"Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live" by Claudio Monteverdi, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir had its release date on December 8, 1986. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner's "Monteverdi: Vespers of the Blessed Virgin" album is number 1 out of 14. On top of that, Germany appears to be the country where this track was created. The popularity of Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live by Claudio Monteverdi, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Affetti musicali, Op. 1: VII. Sinfonia grave. La Zorzi | Biagio Marini, His Majestys Sagbutts & Cornetts | A Minor | 0 | 8A | 103 BPM | ||
Cantata per la Notte del SS.mo Natale: "All'arme si accesi guerrieri" (Aria dell Pace) | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 5 | 3B | 121 BPM | ||
Symphony No. 4 In D Minor, Op. 120 - Original Version (1841): 2. Romanza: Andante | Robert Schumann, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 1 | 10B | 139 BPM | ||
Gloria, FP 144: 4. Domini Fili Unigenite | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 2 | 9B | 113 BPM | ||
L'incoronazione di Poppea: "Pur ti miro" | Claudio Monteverdi, Pianca Luca, Roberta Invernizzi, Sonia Prina, Ensemble Claudiana | D♭ Minor | 5 | 12A | 83 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | ||
Sehet, wir gehn hinauf gen Jerusalem, BWV 159: Chorale: Jesu, deine Passion | Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 1 | 10B | 93 BPM | ||
Lieder eines fahrenden Gesellen: Ging heut' morgen übers Feld | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | D Major | 0 | 10B | 70 BPM | ||
Die Zauberflöte, K.620 / Act 2: Ein Mädchen oder Weibchen | Wolfgang Amadeus Mozart, Gerald Finley, English Baroque Soloists, John Eliot Gardiner | F Major | 0 | 7B | 86 BPM | ||
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM |