On January 1, 1996, the song "Die Zauberflöte, K.620 / Act 2: Ein Mädchen oder Weibchen" was released by Wolfgang Amadeus Mozart, Gerald Finley, English Baroque Soloists, John Eliot Gardiner. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Mozart: Die Zauberflote" album is number 20 out of 53. On top of that, Germany appears to be the country where this track was created. Die Zauberflöte, K.620 / Act 2: Ein Mädchen oder Weibchen is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Die Zauberflöte, K.620 / Act 2: Ein Mädchen oder Weibchen by Wolfgang Amadeus Mozart, Gerald Finley, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K.620 / Act 1: Du feines Täubchen, nur herein (Monostatos, Pamina, Papageno) | Wolfgang Amadeus Mozart, Uwe Peper, Christiane Oelze, Gerald Finley, English Baroque Soloists, John Eliot Gardiner | G Major | 1 | 9B | 89 BPM | ||
Massenet: La Vierge, Pt. 4: Le dernier sommeil de la Vierge | Jules Massenet, John Eliot Gardiner, Orchestre National de l'Opéra de Monte-Carlo | A Minor | 5 | 8A | 95 BPM | ||
Die Zauberflöte / Act 1: "Herr, ich bin zwar Verbrecherin" | Wolfgang Amadeus Mozart, Ruth Ziesak, Kurt Moll, Heinz Zednik, Uwe Heilmann, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 93 BPM | ||
Die Zauberflöte, K. 620: Act II No. 20: Arie - Ein Madchen oder Weibchen wunscht Papageno sich! | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz | F Major | 2 | 7B | 73 BPM | ||
Vesperae solennes de confessore, K. 339: II. Confitebor | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | E♭ Major | 2 | 5B | 99 BPM | ||
Schon lacht der holde Frühling, K. 580 | Wolfgang Amadeus Mozart, Regula Mühlemann, Umberto Benedetti Michelangeli | F Minor | 0 | 4A | 93 BPM | ||
Die Zauberflöte, K.620 / Act 1: Der Vogelfänger bin ich ja (Papageno) | Wolfgang Amadeus Mozart, Gottfried Hornik, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 76 BPM | ||
Gloria: Domine Deus, Rex coelestis | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Major | 0 | 1B | 66 BPM | ||
Zaide, K.344 / Act 1: "Ruhe sanft, mein holdes Leben" | Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | G Major | 0 | 9B | 61 BPM | ||
Die Zauberflöte, K.620 / Act 1: O zittre nicht...Ist's auch denn Wirklichlkeit | Wolfgang Amadeus Mozart, Erika Miklósa, Christoph Strehl, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 120 BPM |
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