"Saul, HWV53: 2. Air. An infant raised" by Handel, J Vyvyan, H Handt, Vienna Symph Orch, M Wöldike, T Hemsley, L Dutoit, E Thorborg, The Copenhagen Boys Choir, H Watts was released on February 19, 2013. With Saul, HWV53: 2. Air. An infant raised being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 110 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Saul, HWV53: 2. Air. An infant raised is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saul, HWV53: 2. Air. An infant raised by Handel, J Vyvyan, H Handt, Vienna Symph Orch, M Wöldike, T Hemsley, L Dutoit, E Thorborg, The Copenhagen Boys Choir, H Watts is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
25 Études faciles et progressives, Op. 100: No. 10, Tendre fleur | Franz Burgmüller, The Gerst Ensemble | D Major | 0 | 10B | 75 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Tejido | Juan Pablo Fernández Ramos | F Major | 0 | 7B | 136 BPM | ||
Music for the Royal Fireworks, HWV 351: V. Minuet I and II - 2021 Digitally Remastered | Handel, Moscow Chamber Orchestra, USSR Symphony Orchestra, Leningrad Brass Ensemble, Vladimir Fedoseyev | D Major | 1 | 10B | 90 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 92 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Bagatelle No. 3 for String Quartet: Semplice E Languido | Jordan Zhu | A Minor | 4 | 8A | 124 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM |
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