Franz Burgmüller, The Gerst Ensemble's '25 Études faciles et progressives, Op. 100: No. 10, Tendre fleur' came out on June 1, 2020. The duration of 25 Études faciles et progressives, Op. 100: No. 10, Tendre fleur is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. 25 Études faciles et progressives, Op. 100: No. 10, Tendre fleur's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 25 in Classical Folder Burgmüller by Franz Burgmüller, The Gerst Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 25 Études faciles et progressives, Op. 100: No. 10, Tendre fleur is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 25 Études faciles et progressives, Op. 100: No. 10, Tendre fleur by Franz Burgmüller, The Gerst Ensemble is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mercure: III. Danse de tendresse | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: III. Poco rallentando al adagio | Jean Sibelius, Paavo Berglund, Bournemouth Symphony Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
Aria et Sicilienne pour flûte et harpe: I. Aria | Louis Sauter, Claudio Ferrarini | E Minor | 2 | 9A | 68 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM | ||
Organ Concerto No. 2: I. Largo maestoso | Södersten, Gunno, Hans Fagius, Stockholm Immanuelskyrkans Chamber Orchestra, Peter Eriksson | C Minor | 1 | 5A | 89 BPM | ||
Mairseail Righ Lir (King Lir's March) | Patrick Cassidy | G Minor | 1 | 6A | 114 BPM | ||
Trumpet Sonata, Op. 3, No. 10: III. Grave | Andrea Grossi, Ede Inhoff, Hungarian State Opera Chamber Orchestra | D Major | 1 | 10B | 96 BPM | ||
Action in War | James Wong | E♭ Major | 1 | 5B | 83 BPM | ||
Flute Sonata in G major, Op. 1 No. 6: I. Largo (Recomposed for Sollo Flute by Luca Astolfoni Fossi) | Anna Bon, Claudio Ferrarini | E Minor | 1 | 9A | 148 BPM |
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