Marc-Antoine Charpentier, William Christie, Les Arts Florissants's 'Charpentier : Médée, Act 3: "Quel prix de mon amour" (Médée)' came out on March 28, 1995. With this song being about 5 minutes long, at 4:58, "Charpentier : Médée, Act 3: "Quel prix de mon amour" (Médée)" by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 37 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Charpentier : Médée, Act 3: "Quel prix de mon amour" (Médée)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Charpentier : Médée, Act 3: "Quel prix de mon amour" (Médée) by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus, RV 608: II. Vanum est vobis | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
The Triumphs of Hibernia: Let Earth and Air and Ocean | Niccolò Pasquali, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Zefiro torna, e di soavi accenti, SV 251 | Claudio Monteverdi, Les Arts Florissants, William Christie | G Major | 1 | 9B | 110 BPM | ||
Pour un reposoir, H. 508: I. Ouverture | Marc-Antoine Charpentier, Les Dominos, Les Agrémens, Chœur De Chambre De Namur, Florence Malgoire | A Minor | 1 | 8A | 79 BPM | ||
Platée, Prologue Scène 1: Récit "Ménades et jeunes et belles" (Thespis, un Satyre, le Chœur) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Cyril Auvity, Padraic Rowan, Arnold Schoenberg Chor | G Minor | 2 | 6A | 95 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Noëls sur les instruments, H. 531, 534: Vous qui désirez sans fin (H. 531/3) | Marc-Antoine Charpentier, Les Dominos, Les Agrémens, Chœur De Chambre De Namur, Florence Malgoire, Freddy Eichelberger | G Major | 1 | 9B | 57 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: IX. Fiat misericordia tua Domine | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 106 BPM | ||
Fürwahr, er trug unsere Krankheit, BuxWV 31 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hayat Chaoui, Hanna Kopra, Immo Schroder, Michiel Meijer | A Major | 0 | 11B | 77 BPM | ||
Te Deum: II. Te gloriosus apostolorum chorus | Giovanni Bononcini, Owen Rees, Esther Lay, Helen Charlston | B Minor | 2 | 10A | 71 BPM |
Section: 0.5940210819244385
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